Why Good Girls like Bad Boys

New interview with Harriet Cammock on the Harriet Cammock show, where we discussed Why Good Girls Like Bad Boys...and other urban legends. Check it out. http://www.blogtalkradio.com/the-harriet-cammock-show/2013/01/04/the-harriet-cammock-show-why-do-good-girls-like-bad-boys

The Next Big Thing: Gritty Christian Fiction

This is a kind of new thing for me here at Urban Fiction Unreleased, but I was invited by dear friend, Donna Fletcher Crow: http://www.donnafletchercrow.com/articles.php, to participate in this month's books and blog promotion. As some of you know, I recently released NHI: No Humans Involved under the new title NOTORIOUS. I am very happy to announce that during the week of November 17TH NOTORIOUS ranked at #47 on the Amazon.COM’S African American Authors' listing. Due out later this month or early next is the second installment of the new look Nate Richards' series DEAD LIST. My newest book, due in December 2012, is being produced under the title I.A.I.(Internal Affairs Investigation) and will be the third book in the Nate Richards Mystery Series. As a 23-year veteran of law enforcement, one of the things that hang heaviest over the head of a police officer is the dreaded I.A., internal affairs. I wondered what it would be like as an officer to experience this type of grind; and being on the inside; I had the chance to interview several different officers from many different agencies and then combined their experiences to create the story-line. As a work of Christian fiction, the entire Nate Richards Series is a reflection of Noir, Urban fiction, Christian crime thriller/drama. If I had the pleasure of seeing Nate Richards realized as a TV drama, the actor I would most imagine playing him would be Michael Ealy. As a rich diverse actor, I feel Ealy has what it takes to pull off the diverse cultural, both cop - civilian and church - civic, that is integral to the Nate Richards. I don’t know about you, but I always love the one word or short phrase descriptions done for books. (Cynicism) But, if I had to give a short phrase description for NOTORIOUS it would be Gritty Christian Crime Fiction. How did I do? While I have nothing against indie-publishing, I preferred to use NCC Publishing, LLC out of South West Idaho, the Treasure Valley. I pursued the more traditional route for NOTORIOUS. To complete my book took me just shy of five months to finish the manuscript's first draft, but to clean it up for print ready I'd have to add another two months. Working with NCC gave me a great opportunity to fine-tune the work with the use of an objective perspective. As I look around the landscape of Christian Crime fiction, the books that most remind me of NOTORIOUS are Dee Henderson’s Full Disclosure, and Joshua Graham’s, The Accidental Hero. The thing that drove me to write NOTORIOUS was my desire to bring my readers into the world of the active duty police officer. So many books talk about the cop world and about the cops themselves, but what I wanted to do was bring my readers in the mind and heart of the cop by experiencing that world through the eyes of Nate Richards. If you enjoyed NOTORIOUS and I know that you will, you will love the books by these other authors, check them out they are some of my favorites. Gideon's Call, by Peter Leavell, http://goo.gl/y6dlE Winds of Wyoming, by Becky Lyles, http://goo.gl/UzBcL Scent of Lies, by Debra Burroughs, http://goo.gl/bvySR Nadia's Hope, by Lisa Buffaloe,http://goo.gl/YTk5j A Midsummer Eve's Nightmare, by Donna Fletcher Crow, http://goo.gl/KnFFJ D.R.T. (Dead Right There), by Ray Ellis, http://goo.gl/p3Dcr

Christian Fiction

Someone asked me recently what I thought of the concept of Christian Fiction. This question caught me off guard to a certain degree, because the purpose for the question appeared unfounded. Let me say it this way: To ask for the need of Christian Fiction is like asking why create Christian music, or paintings depicting the glory of God. I never hear anyone wonder of the need of Michelangelo’s Sistine Chapel or wonder at that miracle in marble of the sculpture of David, or the depth of sorrow, loss, and hope captured in the Pietà.

In every culture and in every ethnic group recorded in human history, the chief vehicle of education has been the story. First in the oral tradition and then as civilization grew, the story grew right along with it and evolved into the written form; and finally in the forms of movies and cinema we enjoy today.  But the question before us is why should we as Christians’ leave our generation’s stories in the hands of an unbelieving populace.

When we consider the mechanism of story, of course, even the Bible tells of the use of the oral tradition, but the question to us is that of fiction. For that, let us look to the New Testament and the use of parables.  According to Dictionary.com, a parable is a short allegorical story designed to illustrate or teach some truth, religious principle, or moral lesson. This was the chief tool used in instruction by Jesus.

As writers of fiction, we have at the tip of our fingers the ability to carry on the tradition of Jesus by using stories to teach about the principles and philosophies of Christianity. Consider the wonderful lessons of creation as described in C.S. Lewis’ The Lion, The With and the Wardrobe or the power revealed in General Lew Wallace’s Ben Hur, A Tale of the Christ, and ask yourself where would we be without them.

Now think of the power of hope and salvation woven in the pages of Francine River’s Redeeming Love as the lead character, Michael Hosea, loves and established the heart of his wayward wife in the truth of Christian love.  In my own story, NOTORIOUS, the lead character, Nate Richards, deals with contemporary problems in a metropolitan setting and the reader is allowed, through Nate’s interaction, to experience the leadership and guidance of the Spirit of God as he deals with real life situations.

This is the power of story. We have at our disposal the means to bring our readers along into any of life’s situations and allow them to experience the truths of Christ. As writers, if we fail to do this, I wonder if we won’t be among those who will find themselves numbered with those giving an account to Jesus for the talents we left unused.  Just saying…. Think about it.

Finding the Message – Part VI

I had the pleasure of seeing a part of God’s creation brand new to my eyes—I saw buffalo. While driving through the majestic vistas of Yellow Stone, I saw things that were more beautiful than I could ever describe before.

Sunrise over tree-covered mountains, steam snaking from the ground like hungry fingers, deep reds and subtle ocher contrasted against the vivid greens made the shallow valleys picturesque in the least bordering on the ethereal. Then came the buffalo…large, powerful…majestic. So much strength that as over half ton of beef wondered along the bank of the river—it paid no attention to either me or the several other dozen or so of its patrons.

I watched as steam built then erupted from deep underground stores. It made me think again of the story and the way a true message builds up and then erupts into the story and the way that, even though it is beneath the surface, and for the most part unseen, without the park, it would have been just another shallow valley, so would the story be just another collection of words placed together on a page.

So, a word from the road, from me to you—I know I said my last installment would be the last on the message, but this one just spoke to me. Steam from beneath, buffalo above, and God’s creation all around. The message. Think about it.

Finding the Message – Part V

In this fifth and final installment of Finding the Message, I would like you to consider again your favorite story. As I mentioned in an earlier post, one of my favorite stories as a child was The Wonderful Wizard of Oz, by L. Frank Baum. While in the ninth grade, I checked the book out of my Jr high school library at least 47 times in the course of that school year alone. And yes, I read it each time, at least most times.

What was it that kept me coming back? Was it the tornado, the famous yellow brick road, the fanciful creatures, the Kalidahs—the ferocious half bear half tiger creature that hunted in the deep woods; or maybe the Hammerheads with their elastic necks. Or maybe it was a combination of them all.

But what was true for me, and I am sure it is true for all readers and lovers of good books, is that the message of true friendship and a love of family and friends is the thread that holds the entire story together. How many times did I imagine having a pal like the straw-stuffed Scarecrow, or a compassionate buddy (ready to lay his life down for me) like the Tin Man; and how could anyone ever forget the powerful comrade, like the Lion, that lets you hang on to his back as he carries you over life’s deep ravines when you don’t have the power to do it yourself.

This is the same message of romance, of deep friendship enjoyed by the command crew of the Star Trek series. No matter what happened, including Spock’s death, you always knew the team would be there for one another. This was their message. This is what held them together and what held us as viewers glued to our tubes.

Now we won’t all be a L. Frank Baum or a Gene Roddenberry, but we all can be the very best “Me” we can be. Go on now and create your new stories and build your masterpieces of creative thought, but in the doing so, don’t forget to weave in the threads of a message worth living. Think about it.

Finding the Message – Part IV

I was asked recently what I thought was the most important thing about writing. After a moment or two of thinking, the only answer that came to mind was the simplest of all…the story.

Think of the best stories you have read or heard; or even watched in a movie. It is not the great prose, or the finely crafted sentences, but rather the human element; the story that first hooks you and then draws you into its mythos.

Consider the book Raptor Red by Robert T. Bakker. In this story where there are no humans involved—sound familiar—but soulless animals only; nonetheless, Bakker creates a sympathetic character in Red and causes you as the reader to care for her and her struggle for life.

What was the message that Bakker so craftily conveyed? That life has value; and life is worth the struggle, worth the fight for the right simply to be “you.” In addition, what is it that draws the reader across the dusty ages and into the valley of a long Jurassic struggle? It is the message imbedded in a very well written story. Think about it.

Finding the Message – Part III

Okay, here we are with the third installment on the message. To some degree we must first define what we mean by “the message.” According to Google a story is, “An account of imaginary or real people and events told for entertainment.” While a message is, “A verbal or recorded communiqué designed to convey specific information.”

Consider Josh Snell’s new short story Beyond a Beating Heart, published by Snellster Publishing. While the story, in a very poignant manner, deals with the tragedy of a teen death and the horror it brings to a family, the message is about the quality of life, and how and why we make certain choices over others.

The message is so skillfully wrapped into the story that the reader doesn’t realize he/she is being forced to ask and answer the question until the narrative has reached its zenith.

So as you are creating your manuscript, consider what the message might be. The Wonderful Wizard of Oz by L. Frank Baum, one of my childhood favorites, tells the story of an over the road adventure. But at its heart is the message of friendship and a kernel of truth that there really is “No place like home.” Think about it.

You can find Josh Snell’s book on Amazon by clicking here.